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2008-08-26T19:12:00.001-07:00

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Crossover

2008-08-07T19:07:00.001-07:00

Artist: Crossover

   Genre(s):
Techno

Discography:

The Journey To Grob [12'']

Year: 2003
Tracks: 3

New York transplants Mark Ingram (aka Desmond/Spaced Out Kid Humanoid) and Vanessa Josti-Crossover (aka Verona/Darling-Starchild) formed the distich Crossover, a fun-loving electro-pop outfit, in 1998. Drenched in their influences (synth pop, disco music, electro, old school day rap) and not ashamed to

Billy Currie and Steve Howe

2008-06-30T10:20:00.001-07:00

Artist: Billy Currie and Steve Howe

   Genre(s):
Rock

Discography:

Transportation

Year: 2001
Tracks: 8

Roland Hanneman

2008-06-24T13:00:00.000-07:00

Artist: Roland Hanneman

   Genre(s):
New Age

Discography:


The Healing Garden Music: Relaxation

   Year: 2001
Tracks: 11


Sea Of Clouds

   Year: 1996
Tracks: 1


Whispering Sands

   Year: 1995
Tracks: 1


The Wolf

   Year: 1995
Tracks: 1


Swim With The Dolphins

   Year: 1995
Tracks: 1


Night Of The Owl

   Year: 1995
Tracks: 1


Flight Of The Eagle

   Year: 1995
Tracks: 1


Cry Of The Loon

   Year: 1994
Tracks: 1

Country singer Sara Evans marries former Alabama quarterback

Miss Djax

2008-06-23T02:59:00.001-07:00

Artist: Miss Djax

   Genre(s):
Other

Discography:

Crack House

Year: 2005
Tracks: 2

Ninjaman

2008-06-23T00:24:00.000-07:00

Artist: Ninjaman

   Genre(s):
Reggae
   Other

Discography:


Hardcore Killing

   Year: 2000
Tracks: 12


Ninja Is A Ninja

   Year: 1999
Tracks: 11


Hollow Point Bad Boy...

   Year: 1994
Tracks: 14


Ting A Ling A Ling A School Pickney Sing Ting

   Year: 1992
Tracks: 12


Setttle All Score

   Year:
Tracks: 17

One of the to the highest degree democratic dancehall DJs of the late '80s and early '90s, Ninjaman was also possibly the almost controversial, thanks to his often trigger-happy, progun lyrics. His bad-man mental image overshadowed the fact that he was a tremendously talented freestyle lyricist, and the owner of a theatrical, stuttering livery that made him a highly distinctive wassailer. What was more, he did dig into social comment at times, protesting war and the harsh realities of ghetto animation rather than glamorizing their attender violence. By the late '90s, Ninjaman was fashioning far more than headlines imputable to his troubled personal life than his music, merely tied if his recording activities had tailed off, he remained a pop -- and still polarizing -- concert act.Ninjaman was born Desmond John Ballentine on January 20, 1966, in Annotto Bay, in the Jamaican responsibility of St. Mary. His fellowship moved to Kingston when he was 11, and he started DJing a year by and by under the list Double Ugly. Initially playing for the Black Culture sound arrangement, he affected over to the Kilimanjaro organisation in the early '80s, and thither got the probability to con from Super Cat and Early B. He changed his name to Uglyman, so Ninjaman when some other artist of the same list came fore. Kilimanjaro started its have label, and in 1987 Ninjaman got the chance to make -- and self-produce -- his outset single, a pas de deux with Courtney Melody called "Protection." It was a winner, and light-emitting diode to further hit collaborations under producer Lloyd Dennis in 1988, to the highest degree notably "Cover Me" with Tinga Stewart and "Zig It Up" with Flourgon.Over the next few years, Ninjaman recorded prolifically for a variety show of producers, including King Jammy, Philip "Fatis" Burrell, Redman, Ini Kamoze, Bobby Digital, Gussie Clarke, and Steely & Clevie, among others. His hits all over the old age 1989-1992 accomplished his figure of speech as ane of the virtually dangerous yokelish boys around: the controversial "Polish off Dem," the temperature reduction "Permit to Bury," "Border Clash," "Laugh and Grin (Excited Ninja)," "Test the High Power," "My Weapon," "Above the Law," "Reality Yuh Want." He too continued to cut duets with partners like Cocoa Tea, Gregory Isaacs, and Linval Thompson, and teamed up with both Shabba Ranks and Admiral Tibett for "Time Is Serious." As Ninjaman's popularity began to plan of attack that of Ranks -- at least in Jamaica, where all the gunman talk wasn't up to now a liability -- the deuce struck up a spirited rivalry, trading barbs at many a concert clash. At the stature of his notoriety, Ninjaman christened himself with the alternate designation "Original Front Tooth, Gold Tooth, Gun Pon Tooth Don Gorgon," and inspired a legion of imitators with their own ninja-themed names.By 1993, however, Ninjaman's gun-toting rude boy image was beginning to goading a backlash. Criticized as irresponsible, he began to discover it more and more hard to catch recording or performing gigs. He worked with producers Henry "Junjo" Lawes and Junior Reid during this period, merely his life history momentum was fading fast, and by the mid-'90s his recording activity had tailed off considerably. Battling problems with break cocaine, in 1997 Ninjaman became a reborn Christian, and began playacting gospel reggae tunes below the constitute Brother Desmond. The switch wasn't entirely permanent, however, leading to condemnations from some in Jamaica's Christian community.That was only the start of a series of incidents that kept Ninjaman's name in the headlines in cattiness of the decline of his transcription vocation. True to the type he played in the 1999 film Third World Cop, he had various run-ins with the law during the later '90s; among other allegations, he was accused of raping a womanhood at knifepoint in his domicile, and -- to the highest degree severely -- murdering a cab driver in late 1999. He was acquitted on those charges, merely convicted of unlawfully possessing a small-arm and ammo, and sentenced to a class in pokey (as well in late 1999). While serving his sentence, Ninjaman was reportedly assaulted by prison guards for attempting to shell his cellmate from a whacking. Things didn't cool it down upon his tone ending, either; in July 2001, he was rush to a hospital after hurt several machete wounds, some to the head, from a family fellow trying to fail up a physical dispute between him and his precedent married woman. (He was later charged with domestic assault.) Several months by and by, he was arrested for driving unpredictably. In the summer of 2002, he was arrested once more following a profanity-laced broadside at the Reggae Carifest, which resulted in his existence dropped from subsequent fete engagements.

Lullaby for the Working Class

2008-06-22T22:12:00.001-07:00

Artist: Lullaby for the Working Class

   Genre(s):
Indie

Discography:


I Never Even Asked for Light

   Year: 1997
Tracks: 13


Blanket Warm

   Year: 1996
Tracks: 13

Lullaby for the Working Class hails from Nebraska and combines the '90s chamber pop sounds of Lambchop and Tindersticks and the country-rock stylings of Gram Parsons. Originally the dance band started out as a two-piece suit with Mike Mogis and Ted Stevens, both singer/songwriter musicians. To make the band discharge, AJ Mogis (bass) and Shane Aspegren (drums) coupled Lullaby for the Working Class and shortly thenceforth the set inked a deal with Bar-None Records piece making themselves noticed at various gigs in and around N.Y.C., specifically at the CMJ Music Festival. Their 1996 debut Mantle Warm was critically acclaimed, making shipway for beau Nebraska bands (Commander Venus, Norman Baylor, We'd Rather Be Flying) to venture outside the cornhusker state. A soph try I Never Even Asked for Light followed in 1997 and Call was released 2 days later.

Steven Tyler: What Rehab? Go C's!

Peter Kater

2008-06-22T22:11:00.001-07:00

Artist: Peter Kater

   Genre(s):
New Age
   Soundtrack
   Other

Discography:


Elements Series: Water

   Year: 2005
Tracks: 8


Elements Series: Fire

   Year: 2005
Tracks: 7


Elements Series: Earth

   Year: 2005
Tracks: 11


Elements Series: Air

   Year: 2005
Tracks: 4


Red Moon

   Year: 2003
Tracks: 11


Piano

   Year: 2003
Tracks: 11


Inner Works: Piano and Strings

   Year: 2002
Tracks: 13


Heart's Desire

   Year: 2001
Tracks: 9


Birds of Prey

   Year: 1999
Tracks: 9


Discovery Channel: Eco Challenge

   Year: 1998
Tracks: 19


Essence

   Year: 1997
Tracks: 1


Compassion

   Year: 1997
Tracks: 1


Two Hearts

   Year: 1994
Tracks: 10


Pursuit of Happiness

   Year: 1994
Tracks: 8


The Fool and The Hummingbird

   Year: 1992
Tracks: 7


Homage

   Year: 1992
Tracks: 10


Coming Home

   Year: 1992
Tracks: 8


Anthem

   Year: 1991
Tracks: 9


Gateway

   Year: 1988
Tracks: 8


The Fool And The Hummingbirg

   Year: 1987
Tracks: 7


For Christmas

   Year: 1987
Tracks: 13


Inside-Out

   Year: 1984
Tracks: 8


Soul Nature

   Year:
Tracks: 14

Pianist/composer Peter Kater is known for his lashings for television system, film, and dramatic art, as well as for his possess recordings of light malarky and new geezerhood music. Born in Germany, Kater touched from Munich to New Jersey when he was four. He began pianissimo lessons triad long time after and studied classical music until taking up rock candy & twine in his early teens. At the age of 18, Kater touched to Boulder, CO, where he played makeshift music and lived for over a decennary earlier moving to rural Virginia, where he reinforced EarthSea Studios. Until the gap of EarthSea in early 1997, Kater had recorded only for the Silverwave label, starting with his debut acquittance, Spirit, in 1983. He went on to press release over 20 albums on Silverwave, including extremely successful collaborations with R. Carlos Nakai that resulted in, among others, How the West Was Lost, Vols. dozen and Migration (1992), which likewise standard the NAIRD Best New Age Album Indie Award. Several of Kater and Nakai's recordings rosebush to the Top 20 of Billboard's new age chart, and a few of Kater's have releases -- which range of mountains from solo to quintet card -- take charted in the Top 25. Since starting his EarthSea label, Kater has released track record that include 1998's Compassionateness and another collaboration with Nakai entitled Winds of Devotion (1999). Source Music set outHeart's Desire in early 2001, and Internal Works: Piano & Strings, Red ink Moon, and Dec 25 Ecstacy came in the following geezerhood. In 2005 Kater issued the four-part Element Series: Earth, Water, Air, and Fire, the last of which got him a Grammy nomination for Best New Age Album.

Richard Clayderman & James L

2008-06-22T22:10:00.001-07:00

Artist: Richard Clayderman & James L

   Genre(s):
Instrumental

Discography:

Together at Last

Year: 1994
Tracks: 20

Hugues Aufray

2008-06-22T22:09:00.001-07:00

Artist: Hugues Aufray

   Genre(s):
Chanson
   Retro
   Vocal
   Rock
   Other
   Pop: Japan
   Pop
   Folk

Discography:


Le Meilleur De

   Year: 2006
Tracks: 20


Chante Felix Leclerc

   Year: 2005
Tracks: 16


Best Of Hugues Aufray

   Year: 1998
Tracks: 29


Aufray Trans Dylan - Disque 2

   Year: 1995
Tracks: 13


Aufray Trans Dylan - Disque 1

   Year: 1995
Tracks: 13


Les Annees Barclay CD2

   Year: 1993
Tracks: 20


Les Annees Barclay CD1

   Year: 1993
Tracks: 20


Les Annees Barclay

   Year: 1993
Tracks: 20


Master Serie

   Year: 1988
Tracks: 21


Hugues 1980

   Year:
Tracks: 9


Collection CD3

   Year:
Tracks: 26


Collection CD2

   Year:
Tracks: 25


Collection CD1

   Year:
Tracks: 25


Caravane

   Year:
Tracks: 12

The euphony of French ethnic music minstrel Hugues Aufray existed in severe opposition to the dominant yÃ©-yÃ© sound that henpecked pop charts in the mid-'60s. A adherent of Bob Dylan wHO regularly adapted his hero's songs into French, Aufray yet proved a popular front-runner whose own compositions, to the highest degree notably "Santiano" and "Celine," apace entered the mainstream vernacular. Born August 18, 1929, in the Parisian suburbia of Neuilly tyre Seine, Hughes played out a lot of his adolescence in a Dominican schooltime in the southward of France after the German military control forced his family to flee their abode. Following his parents' split up, he relocated with his father to Madrid, reversive to Paris in 1948 to work at the Ecole dES Beaux-Arts. To score ends play, Aufray sang on the streets for spare change, eventually going school a year later to accomplish his military tariff by serving a stint in the Alps as a member of the mountain infantry. Aufray played out a lot of the fifties tattle in Parisian bars and cabarets, building a crowd-pleasing repertoire henpecked by Latin American ethnic music songs and Georges Brassens compositions. Only in 1959 did he start to make greater ill fame after winning a local amateur competitor sponsored by radio station Europe nÂ°1. The exposure helped Aufray demesne a record deal with the Barclay label, and by year's end he issued his debut single, "Y'avait Fanny Qui Chantait." The track record cursorily captured the attention of Maurice Chevalier, wHO invited him to travel to the U.S. and perform as part of the "New York au Bal" all-star display case. Aufray stayed in New York City for several weeks, and subsequently a abbreviated return to Paris he once again traveled stateside, befriending tribe superstars Peter, Paul & Mary as well as a rising singer/songwriter named Bob Dylan. When Hughes once again went home to Paris, he carried several Dylan compositions in his travelling bag, also adopting the alleged "skiffle" style popular among students on both sides of the Atlantic. With 1961's "Santiano," Hughes scored his first hit, introducing a modern folk music standard that remains a favorite of successive generations of schoolchildren. Two years later he entered the annual Eurovision Song Contest, representing Luxembourg with "DÃ¨s Que le Printemps Revient," and opened for rock sensation Johnny Hallyday at the notable Olympia. Finally, in 1965 he completed a longtime finish with Aufray Chante Dylan, a collecting of Dylan covers that vaulted him to fresh fame throughout much of western Europe. The 1966 strike "Celine" proved another pop dearie, but in 1970 he abruptly changed course, abandoning the populist anthems and nature hymns of premature efforts to farm Avec Amour, a deep familiar collection of making love songs consecrated to his married woman Helene. Commercial and decisive reactions were profoundly interracial, and Aufray played out the future year in congener seclusion, tending to his farm in the Ardeche. He lastly resurfaced in 1973 headlining the Paris floorshow TÃªte de l'Art, followed by a series of gigs dubbed "Espace Vert" presented at the ThÃ©Ã¢tre de la Renaissance. Aufray played out the remainder of the tenner making brief returns to the public eye followed by retentive stretches at his state home. He shortly emerged in 1976 with the album Aquarium, followed by a short solo hitch, and deuce years afterwards delivered the two-disc fix Transatlantic, which he supported with a three-month erolia minutilla at the Paris nightclub Don Camillo. But 1980's Hugues and 1982's Caravane passed without tender live appearances, and only in 1983 did Aufray return to the stage, performing the Olympia as well as a short African tour. Petit Homme appeared iI years later, only by at present both radio and the press turned a deaf capitulum to Aufray's music. He withal retained a fast cult following and in 1991 illustrious his thirtieth day of remembrance as a transcription creative person with a series of sold-out dates at the Olympia (afterwards yielding the 1993 live LP Route 91). With 1995's Aufray Trans Dylan, he returned to the music that was the source of his initial intake, and in 1999, at the age of 70, issued Chacun Sa Mer, an LP influenced by Celtic and Latin traditions. With 2005's Hugues Aufray Chante FÃ©lix Leclerc, Aufray noted another seminal influence, crediting the Quebecois legend with formation his have determination to write and sing in French.

His Defense Rests, But R. Kelly Never Does

2008-06-22T22:08:00.001-07:00

Photo: Getty Images
Well that was fast! After just two days of expert testimony on the ease with which an enterprising hater could've used CGI to insert R. Kelly's image into a sex tape, the defense rested its case in his child-pornography trial yesterday. Last week, forensic-video analyst Charles Palm showed the jury a digitally altered clip from the tape at the center of the case, illustrating just how simple it would be to replace the heads on the copulating bodies (if we ever figure out what software he used, you can expect this blog to get a lot funnier). The prosecution plans to call two rebuttal witnesses tomorrow — neither of whom are likely to find any fault with this completely unassailable defense — then closing arguments come on Thursday, shortly after which Kelly will either be acquitted and free to continue composing his wonderful music, or he'll be convicted and deservedly thrown in the clink for many, many years.

So how does one celebrate entering the home stretch of his child-pornography trial? If you're tireless R&B auteur R. Kelly, you release a new track from your highly anticipated upcoming album, 12 Play: Fourth Quarter (purportedly due in July, no matter what the jury decides). "Body Body" hit the Internet yesterday, and it's (predictably) excellent and (predictably) all about raunchy sex at a club. Can nothing stop this man from delivering? We guess we'll find out after they read the verdict!

Defense rests in R. Kelly case [Kelly Chronicles/ Chicago Sun-Times]
New music from Kelly — could he rebound? [The Kelly Chronicles/ Chicago Sun-Times]
R Kelly, "Body Body" [Fader]

X Wild

2008-06-22T22:07:00.001-07:00

Artist: X Wild

   Genre(s):
Metal

Discography:


Savageland

   Year: 1996
Tracks: 12


Monster Effect

   Year: 1995
Tracks: 11


So What!

   Year: 1994
Tracks: 12

The cooks, the thieves, the wives and the Lohans

Coldplay tops Hot 100, fueled by digital sales

2008-06-22T22:06:00.001-07:00

'Viva La Vida' sells 246,000 copies digitally

NEW YORK -- Coldplay scores its first No. 1 on the Billboard Hot 100 this week with "Viva La Vida," which jumps from No. 2 spurred by digital sales of 246,000 copies. The group's fourth Capitol album, "Viva La Vida or Death and All His Friends," is expected to debut at No. 1 next week.
Capitol has even more reason to celebrate, as the label's Katy Perry moves from No. 4 to No. 2 with Greatest Gainer/Airplay honors for "I Kissed a Girl." This marks the first time Capitol has had the top two slots on the Hot 100 in the same week since Billboard's Sept. 2, 1967, issue, when the label had Bobbie Gentry's "Ode to Billie Joe" at No. 1 and the Beatles' "All You Need Is Love" as the runner-up.
Last week's No. 1, Lil Wayne's "Lollipop" featuring Static Major, drops to No. 3, but Wayne has some major consolation, as his new album, "Tha Carter III," debuted yesterday at No. 1 on The Billboard 200 with sales of more than 1 milion units.
Leona Lewis' "Bleeding Love" slides from No. 3 to No. 4 on the Hot 100, while Rihanna's "Take a Bow" holds at No. 5. Natasha Bedingfield's "Pocketful of Sunshine" rises from No. 9 to No. 6, while Jordin Sparks' "No Air" featuring Chris Brown sticks at No. 7.
Brown's own "Forever" is right behind thanks to an 11-8 jump, while Usher's "Love in This Club" featuring Young Jeezy drops from sixth to ninth. Rounding out the top with a 14-10 increase is Metro Station's "Shake It," thanks to digital sales of 120,000 copies. Lil Wayne's "3 Peat" is the chart's top debut at No. 66.
On Hot R&B/Hip-Hop Songs, Keyshia Cole's "Heaven Sent" is No. 1 for a second week. The top debut on that tally is Plies' "Please Excuse My Hands" featuring Jamie Foxx and the-Dream at No. 62. LL Cool J's "Baby" enters at No. 86, his 42nd entry on the chart since 1985.
Kenny Chesney's "Better As a Memory" jumps from No. 4 to No. 1 on Hot Country Songs, his 14th chart-topper here. Brad Paisley's "Waitin' On a Woman" is the top debut at No. 51.
Billboard's rock charts are unchanged at the top; Weezer is No. 1 on Modern Rock with "Pork & Beans" for a seventh week, and Disturbed's "Inside the Fire" tops Mainstream Rock for a seventh as well.

Mordor (De! Funct)

2008-06-22T22:04:00.001-07:00

Artist: Mordor (De! Funct)

   Genre(s):
Electronic

Discography:

Aurora (Unfinished Demo)

Year: 1990
Tracks: 7